Charles Martin & Duché

The pieces presented at the Paris Decorative Arts Exhibition.
Photo from the magazine "La Vie Limousine", 1925

Limoges - EM Emile Madesclair Jeune (1906-1940)

Balleroy & Cie - Limoges (1908-1937)

Some of the pieces presented at the Paris Decorative Arts Exhibition.
Photo from the magazine "La Vie Limousine", 1925

  Pattern by René Crevel manufacturer Balleroy 

for Le Grand Dépôt, Paris 1930   

H. & A. Balleroy frères mark along with the Limoges unique mark 

and the name of the pattern "Lucien" on the back of the coffee pot  

Limoges porcelain at the 1937 Paris Exhibition

A. Lanternier & Cie Limoges mark history & backstamps

Adrien Dubouché Museum, Limoges  photo RMN-Grand Palais / Jean-Gilles Berizzi 

In 1857 François Frédéric Lanternier opened a porcelain decorating studio in Limoges. Around 1885, in association with Breuil, he took over the former Chabrol factory and started producing the wares that were decorated in his studio that employed 34 painters in 1870. The company carried on an extensive exporting business with table china being the primary product line. In 1890, Frédéric's son, Alfred, who had worked in England as a representative for Wedgwood, joined him and the company name was changed to A. Lanternier & Cie. At that time they bought another factory in Limoges. During the World War I they produced fine quality doll heads. From 1918 onwards the factory produced table wares (tea, coffee and dinner sets). In 1925 A. Lanternier presented several pieces at the Paris Decorative Arts Exhibition and was awarded a "Grand Prix" of the jury. The porcelains presented by Pomone design studio (Au Bon Marché department store) and La Maîtrise, the design studio of the famous Paris department store Galeries Lafayette, were produced by Lanternier. They also participated in the 1931 Paris Colonial Exhibition. The company merged with Porcelaines G.D.A. in the late 1960s.

1920's hand painted set

Some of the pieces presented at the Paris Decorative Arts Exhibition.
Photo from the magazine "La Vie Limousine", 1925

c.1918 - 1929 differences: Limoges France green mark,
and worse print quality

with the "Limoges Unique" label created in 1929
and used for a short period
(probably until 1939)

later mark with better print quality
 and mention of the pattern name   

CF & P Limoges mark history & backstamps

 In 1917 the Chabrol brothers, already in the porcelain business, associated with Poirier and 

founded Chabrol frères (brothers) & Poirier at the 117 Ancienne route d'Aixe in Limoges.  

 In 1925, Marcel, one of the Chabrol brothers, left the company and started working independently until at least 1936. His brother continued producing in association with Poirier until 1933. 

 Chabrol & Poirier manufacture produced high quality tea, coffee and table sets. Most patterns were entirely hand painted. The pattern name and the colour of the pattern were usually handwritten on the interior of the coffee pot lid. The manufacture was awarded a "Grand Prix" from the jury at the 1925 Paris Modern Decorative Arts Exhibition and participated in the 1931 Colonial Exhibition. 

Coffee set shown in the 1925 Paris Exhibition of  Decorative Arts 
in the Copenhague pattern in grey created by René Crevel
Limoges, Adrien Dubouché Museum   

pattern name "Copenhague" and the colour "gris"
(grey in french) on the interior of the lid

Hand painted Carmen pattern in yellow  (1929 - 1933)

pattern name "Carmen" and the colour "jaune" (yellow in french)
on the interior of the lid

Mark used from 1925 onwards

c.1929 - 1933 the Limoges Unique mark
was used along with the manufacturer's mark

1936 press ad from the magazine "La Vie Limousine"

Limoges porcelain at the 1931 Paris Colonial Exhibition

The Limoges pavillion at the Colonial Exposition
in "La Vie Limousine", 1931

"Coconut Trees and Antelope" pattern created by

 René Crevel for the Paris Colonial Exhibition 

Manufacturer - Bernardaud

Limoges pavillion interior view
in "La Vie Limousine" 1931